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		METER Perry Keyes $24.95 AUD Customers outside Australia don't pay GST You can also buy online from iTunes AND CDBaby

SORRY - TEMP OUT OF STOCK

Take it from me, there aren't many taxi drivers in Sydney like Perry Keyes.

For a start, he knows how to get from A to B, and he probably won't ask you to show him the way. He'll engage you in a conversation, rather than bludgeon you with half of one and, at least as far as we know, he hasn't been in any fights with federal politicians.

Impressive as all that is, what really sets Perry apart, is that he happens to be one of Australia's greatest undiscovered singer/songwriters. Scratch that: he is one of Australia's greatest singer/songwriters, discovered or otherwise. With his long overdue debut album "Meter" (and it's a double!), Perry won't be undiscovered for long and, one suspects, he may not be driving taxis for much longer either.

Perry has been writing songs since he was a kid and has played in a variety of bands. Most notably, in the late eighties, he fronted "Perry Keyes and the Stolen Holdens" a band which, in our experience, everybody had heard of, but no one actually saw. Mark that down as just another of the many mistakes you made growing up.

Perry has done that - grown up, I mean. He's lived, he's experienced, and he's drawn on it all in a way that will make all those who care to investigate his album far richer. Hopefully it'll make him far richer too, in a literal sense, but that's another story.

So anyway, Perry is great, but why? Well, think about all the great songwriters and they all have the ability to evoke a sense of time and place, an ability to find beauty and truth in the ordinary lives of people, at those times, and in those places.

Think Bruce Springsteen's New Jersey, Paul Kelly's Melbourne and Richard Buckner's first marriage. Perry Keyes's turf is inner city Sydney - Redfern, Alexandria and Waterloo - though he heads further west on occasion. It's a suburban scramble where no one has any money, least of all Perry, and where the hopes of working people are beset by drugs, cheats and that hardy perennial, plain old bad luck.

Perry's songs are, not to put too fine a point on it, beautiful - poignant narratives set to hauntingly beautiful melodies, tunes that lodge firmly in the brain, carrying stories that do far more serious damage to the heart. In a world where the powers that be (whoever they are) have decided that the art we are exposed to should be shorter, glossier and far, far stupider, Perry Keyes writes songs that are frequently long, raw and emotional, smart and compelling. In a throw away culture, Perry's songs are keepers.

"NYE", the story of a kid eager to grow up and sure to be disappointed when he gets there, is immediately affecting, and its characters all too recognisable. "Some Aches", which takes a little longer to grip, but then won't ever let go, nods (ahem) to the Velvet Underground's "Heroin" before painting an altogether less positive picture of the drug's wreckage. Really, do songs get better than this?

"Service City", "Sandra's On The Way" and "Fairfield Girl" are among the many, many other gems. No other Australian songwriter is writing about Matraville, the Barbeque King, the abandonment of working class suburbs or the way a kid loves a footy player - few other Australian songwriters are writing about anything with such honesty, heart or insight.

Once upon a time, we'd have wished fame on Perry Keyes, but that's a pretty devalued currency these days. Now, we just hope that Perry gets to be heard, cause those who hear his songs will love and treasure them, and you'd prefer that any day, wouldn't you?

See Perry's next 2 albums "The Last ghost Train Home" & "Johnny Ray's Downtown"